Description
The T2 is the ultimate combination of solid-state performance and versatility. Based on the chassis and feature spec of the acclaimed 4400a, but with the highly specialized capsule of the original sE Titan, it delivers full and perfectly balanced mid and low frequencies, while its titanium capsule produces un-hyped but ultra-detailed HF response.
The Titanium Diaphragm
Unusually, the T2 features a hand-crafted titanium-sputtered capsule. This is much stiffer than our gold-sputtered capsules, meaning quicker transient response, which is important when recording instruments that create fast transients and attack – like drums and percussion – as it enables the microphone to maintain clarity and deliver exceptionally accurate performances. The stiffness of this special diaphragm also allows it to withstand extremely high sound pressure levels, so it can handle the loudest percussion with ease.
SWITCHABLE BASS-CUT AND PAD
For vocals and instruments, the 60 / 120 Hz bass-cut filters and -10 / -20 dB pads make the T2 useful for loud and heavy sources like drum kits, percussion, guitar/bass cabs and much more.
ALL-METAL HOUSING
The T2’s all-metal housing and titanium-sputtered diaphragms ensure maximum reliability on vocals, instruments and more, in studios and on-stage.
GOLD-PLATED XLR CONNECTOR
Ensures loss-free, reliable signal connection for years and years of demanding use in the studio and the loudest stages worldwide.
CUSTOM SHOCKMOUNT + CHASSIS
The flat, round-edged chassis design and custom suspension mount allow the mic to be centered within the shock, flipped around and used flat against a drum head or guitar cab, or angled outwards and pushed through inside of a kick drum. And at less than 3/4″ thick, it fits neatly in the palm of your hand, but is built to take a beating on the road.
RECOMMENDED USE
Drums, percussion, overheads, hi-hats, orchestral + strings, piano, bass guitar cab, acoustic guitar, electric guitar cab, vocals, woodwinds, .
For more information, check on the sE Electronics website.
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